Nepal House Project

An architectural prototype transforms into a laboratory for contemporary art

Nepal House Project by Shigeru Ban

In order to respond to the earthquake which struck Nepal on April 25th, Voluntary Architects’ Network (VAN) and Shigeru Ban Architects supported the victims with a shelter, housing and other community facilities. 

Formerly the Nepal House Project, this structure was designed by Pritzker Prize winner Japanese architect Shigeru Ban in 2015, as a resilient prototype in response to a devastating earthquake of 7.8 magnitude in the region, which obliterated both lives and the infrastructure of our landscape. This system can be assembled by connecting modular wooden frames (90cm x 210cm) and infilling with rubble bricks. This simple construction method enables anyone to assemble the wooden frames very quickly and if a roof is secured on top, people can immediately begin to inhabit the shelters. Afterwards, people can stack the rubble bricks inside the wooden frames and slowly complete the construction themselves.

Shigeru Ban is internationally recognized for his innovative work on materiality and structures and founded his firm, Shigeru Ban Architects (SBA), in 1985, which currently has offices in Tokyo, Paris, and New York. His practice is deeply rooted on structural rationality, environmental sustainability, and spatial purity.

Today, this prototype transforms into a dynamic laboratory for contemporary artists and creative practitioners as an open-call studio space. Located in the midst of our garden, this studio transforms into a quiet, reflective, and inspired space for new ideas.


*some text taken from Shigeru Ban Architects website*

image
image
image
image
image
image
image

Our Artists

Kamal Shrestha

Artist

THE WARNING CALL

Metal scraps and cans

30”x 72”x31”

2024

Statement

This piece is based on the theme “nature versus nature” referring to Mother Nature and human nature. Through this piece, I experiment and explore with different mediums to reflect my thoughts and perspective in creating a possible balance between human activities and how this affects the earth. 

Sarah Burack

Artist

DWAR  द्वार

Waste: plumbing pipe, aluminum ducts, copper wire

70” x 52” x 82”

2024

 

Statement

The Nepali word Dwar translates loosely as the gate to the temple, which one passes through and is then purified. 

From the discarded waste emerges an abstract iteration of nature, questioning what we value as beauty.  The form resembles a doorway covered in vines, and invites the viewer to the serenity of the present moment by channeling our attention to that which may be often overlooked in our busy lives; the bright reflection of the sun or gentle dance of the breeze. 

Pujan KC

Artist

BALANCE

Waste: steel, metal scraps, cans, plastic

29” x 82” x 40”

2024

Statement

Taking time to pause allows us moments to reconnect to our passions and dreams. The busyness of life can lead to losing sight of what is important and forgetting the things we love. Adopting this inner posture and mindful practice brings balance and stability to what truly matters in life.

Shreemila Shrestha

Artist

METAMORPHOSIS

Waste:  steel & aluminum

56” x 63” x 16”

2024

 

Statement

‘Metamorphosis’ is a transformative space, as the thoughtful repetition of sequences reflects the shifting light and transience of the sky.

The use of resilient elements that withstand time converges with the concept of metamorphosis drawing one into a state of deep reflection.

Floyd Elzinga

Artist

MOUNTAINS OF NEPAL

Waste:  Steel & stainless steel

15” X 36” X 1.5”

2024

 

Statement:

Inspired by the natural world, I explore the tradition of landscape painting through non-traditional materials and techniques. The traditional metalworking processes of welding, sanding, and grinding create textures and produce the illusion of depth through the reflection of light. Reclaimed steel and stainless steel are malleable, plastic and forgiving in nature and I love the way light plays off etched and scratched surfaces of the metal even after being discarded.

Carolyn Elzinga

Artist

PORTAL

Waste: Steel

26” X 80” X 1”

2024

 

Statement

A view through the center of this sculpture allows one to connect to the 

repetition of circular shapes in the architecture. Looking through the sculpture in the other direction connects the viewer to the surrounding organically shaped trees. Observing both narratives allow one to consider both architecture and nature as signs of renewal and regeneration in community.  

 

Avash Nemkul

Artist

LITTLE SCRAPPER

Waste:  Aluminum, steel

77” X 48” X 29”

2024

 

Statement

This artwork is a gentle prompt to discover happiness in the seemingly ordinary, drawing inspiration from the delight a frog experiences during rainfall. 

Just as the frog finds joy in the small drops, this piece encourages embracing the simplicity of life’s moments for a sense of satisfaction.